Ark Noir - Tunnel Visions (Digipac)

2019_ANO_TunnelVisions_Digipack_Mockup01.jpg
2019_ANO_TunnelVisions_Digipack_Mockup01.jpg

Ark Noir - Tunnel Visions (Digipac)

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Ark Noir’s debut album “Tunnel Visions” released on ENJA RECORDS / YELLOWBIRD.

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The Munich-based collective Ark Noir explores the universe of electronic beat music mixed with

the freedom of improvisation. In performances, their music is at times raw and bleak, and at

others rich in depth and textures, but always pulsing at high energy levels. The quintet uses synthesizers,

sample pads and a multitude of effect pedals to produce sonic landscapes played by

real instruments. Their debut full-length album is set for release in June 2019 on Enja Records.

Originally formed in 2015 while each member was still wrapping up his studies at the University

of Music and Performing Arts Munich, saxophonist Moritz Stahl and bassist Robin Jermer, then

(and still) roommates, decided to form a band together. They sought the talents of drummer

Marco Dufner and guitarist Tilman Brandl, and when pianist/keyboarder Sam Hylton joined

nearly a year later, these five very unique personalities joined forces to create something truly

one-of-a-kind: Ark Noir.

The band’s debut album opens with a post-apocalyptic tone poem, based around a single, jagged

leitmotif originally composed by Stahl.

“‘A Dystopian Society’ tells a story inspired by sci-fi novels and films set in a dystopian

future. Capitalism, racism and tyranny are part of a dystopian society and are reflected in today’s

society” says Stahl. The final product is the result of a long process of composing and improvising,

both individually and collectively, adding and subtracting elements, until a sound-collage

emerged that introduces one of the band’s main hymns since its founding, “A Dystopian

Society”. The band drops from atmospheric, ambient sounds into a pulsing dance beat, over

which Stahl soars with a searing saxophone solo (yes, that’s a saxophone you’re hearing!).

The title track, “Tunnel Visions”, is a subdued yet infectious trap-beat, composed by Dufner, featuring

a fiercely psychedelic but nevertheless lyrical guitar solo by Brandl. “For me, the energy of

the song represents a kind of new-age apocalypse towards which we are moving. It‘s that ‘running

for your life’ feeling, as if there’s only one chance to escape. For me it’s a little bit like in a

video game or a Jurassic Park movie. On the flip side, the song provides that ‘never give up’ feeling,

which is also very positive, in a way,” explains Dufner. The song unleashed a wave of inspiration

for the band and its extended network of collaborative artists. A hypnotic remix by Ludwig

Wandinger/Alban Winter/Triggerboy was quickly incorporated into the band’s live repertoire.

“Tunnel Visions” also provided the name for a new concert series starting 2018 in Munich’s Milla

Club, organized and curated by Ark Noir. Now in its second year, Tunnel Visions provides a platform

for contemporary electronic artists to conspire with one another on multimedia presentations

of live music and visuals. Previous performers have included LBT, Salomea, C.O.W. ⽜牛, Dr.

Syros, Plateau Green, Ralph Heidel, Akai Kuren & Alban Winter/Triggerboy. A live version of

the “Tunnel Visions Remix” as performed by Ark Noir at Tunnel Visions Vol. 3 is included on the

album as an extra bonus. The evolution of the original tune is remarkable.

”Praha“ is a raw, energetic acid-house inspired track driven by synthesisers and heavy beats,

inspired by a crazed all-nighter in Prague. The music video for 'Praha' was made by the renowned

visual artist Strangeloop. He writes: ''A white silhouette runs through an abstract dystopia,

searching for meaning. Escaping amorphous scenes of violence and insanity, it trips and hits its

head, blacking out. It dreams of merging with an abstract God, filled with energy, moving upward

through an infinite tunnel of stars.''

The rhythmic vortex that is “Arkomplex” was originally composed by Hylton. Although the

sound-aesthetic may not let on, the compositional structure is strongly influenced by the early

multi-tracking recordings of Lennie Tristano, particularly his incredibly funky homemade loop

jam, “Turkish Mambo”. Hylton takes a ferocious Rhodes solo before the group launches into a

driving beat to end the track, as if they finally reached the eye of the maelstrom, the light at the

end of the tunnel, emerged from the beast’s lair.

The band’s first venture into adding vocals to the mix is heard on “Weightless”, a collaboration

with vocalist Hannah Weiss & electronic artist Ralph Heidel. The collective composition is based

on snippets, sketches and beats by Dufner, Stahl & Hylton, honed and crafted to become

work of epic proportions. It also showcases the endlessly creative mixing of Monojo (Joh Weisgerber),

who mixed the entire album.